Showing posts with label ephemera. Show all posts
Showing posts with label ephemera. Show all posts

Monday, January 13, 2014

The Martin Luther King, Jr. Day March in San Antonio

San Antonio is well-known for its large scale Martin Luther King, Jr. Day March, evidence of which is found in the Claude and ZerNona Black Papers. Reverend Black himself was deeply aligned with the actions of Martin Luther King, Jr. on a national level when King was alive and locally, over the years, with the celebration of MLK. Jr. Day.
The 2014 march is on January 20, at 10 am. The City of San Antonio MLK Jr. Commission and Trinity University annual MLK Jr. Commemorative Lecture is this Thursday, January 16, 2014, at 7:30pm in Laurie Auditorium. This year, Julianne Malveaux, an economist, and noted author, will deliver the lecture. Malveaux has contributed to the public dialogue on issues of race, culture, gender, and how their economic impacts are shaping public opinion. The title of her speech is "From the War on Poverty to the War on Poor People. What Would Dr. King Say?"

Martin Luther King Jr. Freedom March photo album, San Antonio, 1987
czb_063_024_0001
Link 
Reverend Black on stage with Rev. R.A. Callies at Martin Luther King, Jr. March, 1993
Reverend Black on stage at Martin Luther King, Jr. March, 1993
Link
Reverend Black at Martin Luther King, Jr. March, 2006 (left to right with Reverend Black, are Reverend Edward K. Maney, City Council person for District 2, Sheila D. McNeil, and Chairman of Martin Luther King Commission, Reverend Herman Price)
Reverend Black at Martin Luther King, Jr. March, 2006
Link 

One of the primary persons responsible for the first MLK, Jr. Day marches was Reverend Raymond Aaron Callies (1929-2011), founder and pastor of the First Gethsemane Baptist Church on San Antonio’s Eastside. According to the Callies family, the first grassroots MLK, Jr. Day march in San Antonio took place in 1972. A brief history of the San Antonio march, written by Mario Marcel Salas included in the 2005 MLK March souvenir booklet in the collection, states that the march grew to roughly fifty people between 1978 and 1980, and included some of San Antonio’s most active civil rights community members. Salas writes:

Many of the original fifty people involved in the initial march included Rev. R.A. Callies and family, Corine Duncan, T.C. Calvert, Bettye Roberts, Rick Greene, Mario Marcel Salas, Rev. C.C. Houston, Lillian Sutton Taylor, Rev. Christopher Griffin, Vashon Byrd, Jessie Mae Hicks, Bobby Roberts, George Clark, John Stanford, John Inman, Charles Middleton, John Allen, William Boyd, and many others, including members of the local chapters of SNCC, the NAACP, and ROBBED organizations. This initial effort did not enjoy community-wide support, nor was it very popular, as many saw the work of King concluded. The march received very little press coverage, but the marchers marched in all types of weather. In the early 1990s one such march involved freezing temperatures and sleet.




The earliest MLK, Jr. Day march document in the papers is the event brochure for  MLK Day 1986, the last march before the City and the MLK Commission (formed in 1986 by Mayor Henry Cisneros) sponsored the march for the first time in 1987. Reverend Black served with the city’s MLK Commission for many years.

This post features some of the documents in the Claude and ZerNona Black papers that relate to the MLK, Jr. Day observances, and are primarily found in:  Series 7: Printed Material, Sub-Series 8: Ephemera, Folders 1 and 2, Event Brochures: Juneteenth and Martin Luther King, Jr. Celebrations, spanning the years  1982-2010; and, in Series 4: Organizations, Sub-Series 6: Assorted Organizations, Conferences, and Meetings, Folder 44: Martin Luther King Commission, 1988-2010; and in various photographs and photograph albums in the collection.
-- Donna Guerra

Wednesday, December 19, 2012

Glad Tidings 2012 -- Updates and Themes


Glad tidings for researchers! Our web presence is growing, with the online appearance of the Claude and ZerNona Black Papers finding aid, as well as with initial digital content in the CONTENTdm Digital Collections.  Over time, most of the digitized items will be linked from the finding aid to the digital collections website. Wherever a green arrow is seen in the finding aid (like the one highlighted in the following image), clicking through will arrive at material in the digital collections. Green arrows that indicate the presence of digital content are also found within the body of the finding aid, but the initial arrow at the top allows the researcher to view all the linked digital content from the top of the finding aid without having to scroll through and find it.

 
Clicking through from the green arrow at the top of the finding aid to the item “The Christmas Message” will take the researcher to an editorial by Reverend Black, in which he expresses his thoughts on the spirit of Christmas, and how it is usually not found in commercial greeting cards. Here is the direct link to that editorial:
The Christmas Message, by Reverend Black, 1963


Regarding the spirit of Christmas, commercialism, and greeting cards, the collection also includes some ephemera directly related to this topic – African American Christmas cards, specifically, “The Christmas Soul” assortment, “18 Golden Trimmed Christmas Cards With Soul Sentiments.”


The cards were manufactured by a company called Merchant Prince, started by Berkeley G. Burrell, a businessman and advocate for minority enterprises, who was active in private and government-appointed positions.

In an article in Jet Magazine entitled "Greeting Card Firm to Pass $1 Million in Sales" (December 3, 1970, p.24), Mr. Burrell states that he started his business because the greeting card industry “has neglected the Black market and today’s strongly emerging attitude of self-pride and self-identification among Blacks.”  The cards in this set contain images such as a Black Mary and infant Jesus; Black three kings looking toward the star of the East; and, a Black drummer boy, among other depictions. The interior sentiments are predominantly religious, with wishes for peace. love and brotherhood.



Here's to many wishes for a happy holiday season, and for a productive new year, filled with digital content from the Claude and ZerNona Black Papers! 

-- Donna Morales Guerra, Project Archivist

Friday, July 27, 2012

Silently Moving, all Over the Globe

The Claude and ZerNona Black collection has three cans of 16mm Kodachrome, double notched (no soundtrack) film. This week I decided to tackle finding out the condition and content of the films, because confirmation of this is essential to deciding whether or not digitization is worth the expense.

How I wished for a Steenbeck to accomplish my task, as I decided that the brittleness and dryness of the film would make putting it through the available projector too risky.  No matter, I decided to unwind manually and look at the frames through a light box and 10x loupe. (Yes, it was more than a little time consuming.) But, within a workday, I knew everything I needed to know in order to make the decision to digitize.

Each of the three films is in the “amateur home movie” genre. For many years, films such as these have been regarded as throwaway or lacking in depth, certainly not worthy of scholarly research. But, the tide has turned in archives and film studies, and keeps turning. The preservation of amateur home movies is now regarded  (rightly, in this archivist’s opinion) as rich with meaning and potential for interpretation. Some will view the films as mildly entertaining, and others will find them a gold mine of clues embedded in a social and cultural context. The importance of home movies has produced a Home Movie Day©, endorsed by movie auteur Martin Scorsese and critic Leonard Maltin. Relative to home movies and similarly small, popularly produced films with no known author, the National Film Preservation Foundation was created to provide awareness and financial support for the preservation of orphan films, “as the then little-known films came to be called,” which “painted a portrait of America not found in history books.”

The digitization of these three films will contribute to a growing effort to preserve this ephemera in motion, so informing American popular history.

I believe this is A. Philip Randolph on the front porch of
Claude and ZerNona Black's home, film processed July 1959

Two men at airport, about to board a plane,
film processed July 1959
In my frame-by-frame examination, I attempted to photograph on the light box, partly to try to identify certain people present in the films, but also to share here on the blog. Here are four of the shots I obtained – they’re a bit fuzzy because of my photography method, but the actual image on the frames and the color quality are surprisingly good.

ZerNona in Paris
Claude and ZerNona in the Middle East,
on camels

Tuesday, April 17, 2012

Cloud Nine

This is the last weekend of Trinity University's production of Cloud Nine. Ticket information is available on the theatre website. Make sure you check it out!

It turns out that Trinity University performed this play back in 1985, just a few years after it was written. After seeing the two posters created for the 2012 production I wondered how the Theatre Department advertised for the previous iteration of the production. So, from the archives, the program for Trinity University's production of Cloud Nine in 1985:







Also, here's the review of the play from the Trinitonian in 1985:

Stratton, Sean. Everything's different on "Cloud Nine." (1985, October 25). Trinitonian, pp.7-8.

--Amy Roberson, Special Collections and Archives Librarian, Assistant Professor












Thursday, March 22, 2012

An Ode To Moody

This blog will also feature entries about the history of Trinity University as told by the items accessible through Special Collections and Archives. We will introduce the various types of materials we have as well at the tools you will need to locate (and even view!) some of those items.

As noted in a recent press release from University Communications, the William L. Moody, Jr. Engineering Science Building will be demolished in the near future. Special Collections and Archives recently received a new addition to our collection, a t-shirt celebrating Moody and engineering at Trinity University.
Trinity University Engineers T-Shirt
In fact, we have a number of t-shirts in our collection, from organizations such as Alpha Phi Omega, Phonathon, and more for your viewing pleasure. During the school year, we are open Monday-Friday, 1:15pm to 5pm. Check the Special Collections and Archives website for exceptions to those hours.

-Amy Roberson, Special Collections and Archives Librarian, Assistant Professor